![]() His current work includes research on interactive music systems, content-based music retrieval, interactive media, and high-level languages for sound synthesis. ![]() Dannenberg is a pioneer in the field of computer music. Music performance, computer science and machine learning. Tsinghua University, Carnegie Mellon, Princeton University in Accounting and Finance from the University of Arizona and an M.B.A. Prior to starting Music Prodigy, Tyson held senior leadership positions at O’Melveny & Myers and KPMG. His experience spans industries such as legal services, manufacturing, financial services, diversified electronics, telecommunications and more. Tyson’s background includes cross-industry, Fortune 500 experience, specializing in the development and execution of business strategies, financial analyses and operational improvement plans. Tyson is the Co-Founder and COO/CFO of the company where he focuses on business strategy, development, finance, sales and operations. He enjoys using all facets of music making including notation, recording, mixing, sequencing and engineering. He's performed in independent bands in Southern California since 1990 and toured professionally until 1995. Harold studied Jazz Guitar at Berklee and Classical Guitar at UCSB before receiving his B.A. Each member on the team has made it his/her lifelong devotion to music, education and technology. The Music Prodigy team have an unrelenting drive to innovate tools, technologies and services to spread music education. Harold has led the Music Prodigy development and engineering team while recruiting world class music technology and education talent. In 2013, Harold, Roger Dannenberg, Zeyu Jin, Richard Gard and others filed another patent for real-time vocal quality performance evaluation. In 2009, he and Roger Dannenberg patented the underlying real-time polyphonic pitch detection technology powering Music Prodigy. In addition to performing duties like design, copywriting, music composition and recording, he also launched Guitar Center's' marketing assets and planning intranet, along with a centralized advertising media distribution for in-store advertising. He grew and led radio advertising and direct marketing from a regional 18-store chain to a national 214-store chain. Prior to Co-founding Music Prodigy in 2008 with Tyson Butler, Harold was Director of Marketing at Guitar Center. As students, teachers and scientists, music, education, technology and innovation are part of Music Prodigy's DNA. ![]() ![]() The Music Prodigy team: unlocking music potential in humans is our PASSION and EXPERTISE. Virtually anyone with a smartphone has access to Music Prodigy’s Expert Ear™. Real-time polyphonic pitch recognition on MOBILE.NO DELAY in hearing and evaluating, so you as a student can react and adjust IN REAL-TIME while you’re playing the note itself (if your feedback is delayed even one second, that’s too late! The note is over and you can’t adjust that note – that note has come and gone.) The ability to recognize multiple notes played at one time – a chord – like on piano or guitar. The ability to recognize what notes you are playing, like understanding what words are spoken. In the rare times Nathanael attends the KPO’s rehearsals, he says he does not get the chance to mingle much.At the core of all of Music Prodigy’s platforms and products is the one-of-a-kind, unsurpassed “real-time polyphonic pitch recognition” listening technology, which is also called “automated music evaluation.” It is why with Music Prodigy, it’s NOW POSSIBLE for every human to unlock his or her musical potential: Homeschooling has also posed its own challenges, such as the lack of socialization. More from NextShark: Singaporean scientists develop novel way to turn durian waste into superior antibacterial bandages “I decided to home-school Nat because of his medical condition.” “This condition meant that Nat couldn’t crawl, couldn’t flip over or walk at the age of 1, and there was minimal speech at the age of 3 to 4,” Dr. Chris Koh, shared that his son was diagnosed with global developmental delay (GDD) at the age of 1. While Nathanael is now rapidly advancing academically, his parents worried about his progress when he was much younger. The other composer-in-residence is 25 years old. Today, he also serves as one of the two composers-in-residence at Singapore’s Kids’ Philharmonic Orchestra (KPO). Meanwhile, Nathanael began working toward his music degree much earlier, having obtained a diploma in music theory from Trinity College London at age 9.
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